Category: Publications and Presentations
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Study Day: Collectif 2J2R, Thèse en création #1 ( February 6, 2023)
On February 6, 2023, Jérémie Roussel and I had the privilege of participating in the inaugural study day Thèse en création, interprétation ou conception : un objet complexe (Practice-, Interpretation-, or Design-Based Doctoral Research: A Complex Object), organized by ACCRA UR3402 at the University of Strasbourg. Our contribution, entitled Collectif 2J2R, Thèse en création #1 – Workshop 1,…
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Article: For a New Being Inspired by the Past: Reflections on the Posthuman and Body Memory (February 2023)
Posthumanism promises an augmented being, freed from biological limitations, but can it truly detach from the past? In my article “For a New Being Inspired by the Past,” published in Les récits du posthumain (Narratives of the Posthuman), I explore how posthuman narratives are rooted in historical continuity, invoking ancient myths and modern utopias to…
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Article: The Chronicles of Narnia: The Impossible Ban on Christmas (December 2022)
This article explores how C.S. Lewis’s The Chronicles of Narnia stages the prohibition of Christmas, blending spiritual metaphor with a coming-of-age narrative. The 2005 film adaptation produced by Disney revisits this theme through a more secular and family-oriented lens. Through this analysis, the article examines the evolution of this timeless tale and its impact on…
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Article: When Fashion Photography Dresses in Posthumanity: A Reflection on the Body and Visual Identity (December 2022)
Fashion photography no longer just showcases clothing; it also redefines the human body. In my article “When Fashion Photography Dresses in Posthumanity,” published in Polìticas y narrativas del cuerpo, I explore how contemporary fashion adopts the codes of posthumanism to present augmented, hybrid, and technological bodies. A reflection on the aesthetics of the future and…
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Presentation: Unveiling Survival Through the Monstrous: David Nebreda (November 18, 2022)
On November 18, 2022, during the conference “Monster(s) on Screen(s). The Sequel”, I explored “Le corps monstrueux de David Nebreda – une tentative photographique pour la survie” (“The Monstrous Body of David Nebreda – A Photographic Attempt at Survival”), analyzing his self-portraits as expressions of pain and isolation, and their impact on our perception of…
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Presentation: Navigating Exhibition Spaces in Cégeps: A Dynamic Overview (May 3, 2022)
On May 3, 2022, during the conference on Visual Arts Education at Concordia University, I co-presented on the integration and impact of exhibition spaces in cégeps, highlighting their crucial role in arts education.
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Article: Spatial Feminism According to Iris van Herpen: Between Fashion, Feminism, and Ecology (February 2022)
This article analyzes the innovative approach of Iris van Herpen, where fashion, feminism, and ecology intertwine. Exploring the concept of spatial feminism, it highlights how her creations reinvent the female body and its place in space. Through the use of sustainable materials and advanced technologies, van Herpen offers a futuristic vision where clothing becomes a…
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Presentation: Reinventing Frankenstein: Modern Perspectives on Photography and the Imaginary (November 18, 2021)
On November 18, 2021, at the Université du Québec à Montréal, my presentation “Frankenstein or the Modern Photographer” explored the parallels between the classic creature and modern photography, examining how both manipulate our perception of the real and the artificial.
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Presentation: Reification: Explorations between Museumization and Pornography (October 22, 2021)
Le 22 octobre 2021, lors du Congrès annuel de l’Universities Art Association of Canada, j’ai présenté “Reification: between museumization and pornography”, explorant comment la réification affecte notre perception des œuvres d’art et des corps.
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Presentation: Navigating the Invisible: Steve Giasson (June 4, 2021)
On June 3–4, 2021, during the study day at Université Paris Nanterre, I explored the work of Steve Giasson, analyzing how his approach to invisible corporeality challenges social norms through the lenses of poetry and politics.