Master’s Degree 1 in Philosophy
University: Université Grenoble Alpes, France
Year: 2018
Thesis: Philosophizing Prosthetization in Contemporary Art
Thesis Advisor: Chiara Palermo
Description:
This thesis explores the notion of prosthetization in contemporary art, analyzing how artists extend and transform the human body through technological and conceptual devices. The philosophical approach is embedded in a critical reflection on bodily identity, artifice, and the boundary between human and object within the contemporary artistic context.
Master’s Degree 2 in Art History
University: Université Grenoble Alpes, France
Year: 2017
Honors: Summa Cum
Thesis: The Photographed Mannequin: The Case of Newton, Sherman, Rheims, and Goldstein (1975-2015)
Thesis Advisor: Chiara Palermo
Description:
This thesis analyzes representations of mannequins in contemporary photography through the study of major photographers such as Helmut Newton, Cindy Sherman, Bettina Rheims, and Erick Goldstein. It explores how these artists examine notions of identity, the body, and visual construction through stagings that mark a constant dialogue between the inert and the animate.
Master’s Degree 1 in Art History and Museology
University: Université du Québec en Outaouais
Year: 2016
Thesis: The Photographed Mannequin or the Digital Galatea
Description:
This thesis extends my earlier research on photographed mannequins, this time from a North American museological and artistic perspective. It explores how the mannequin, through museum collections and exhibitions, becomes an object of aesthetic, philosophical, and anthropological study..
Master’s Autumn Semester in Museology and Art Practice
University: Université du Québec en Outaouais
Year: 2016
Description :
During this immersive semester, I deepened my knowledge in museology and participated in practical projects combining artwork conservation and exhibition staging. This experience allowed me to integrate theory and practice, incorporating tools of exhibition curation and cultural mediation.
