The organization of conferences and scientific events plays a central role in my academic engagement. These events serve as privileged spaces for dialogue, reflection, and knowledge dissemination, where researchers, artists, and professionals can exchange perspectives and enrich contemporary debates.
Over the years, I have been involved in the coordination and implementation of conferences, study days, and panel discussions, covering a wide range of topics from art history to the challenges of new technologies, as well as museology and aesthetics. These initiatives have allowed me to foster interdisciplinary and international collaborations, encouraging the emergence of new approaches and methodologies.
In this section, you will find an overview of the events I have organized, as well as the themes and speakers who have contributed to them.
-
Session 4 – AFFECTIONS AND TRANSGRESSIONS OF THE BODY IN CONTEMPORARY ART(14-16 April, 2026 – International Colloquium Politics and Narratives of the Body)
Read more: Session 4 – AFFECTIONS AND TRANSGRESSIONS OF THE BODY IN CONTEMPORARY ART(14-16 April, 2026 – International Colloquium Politics and Narratives of the Body)This year again, I am honored to organize a session entitled: Session 4 – AFFECTIONS AND TRANSGRESSIONS OF THE BODY IN CONTEMPORARY ART at the International Colloquium Politics and Narratives of the Body (14-16 April, 2026).
-
Session – TRANSPARENT FLESH: REIMAGINING THE MEDICAL IMAGE IN CONTEMPORARY ART(8-10 April, 2026 – ASSOCIATION FOR ART HISTORY 2026 ANNUAL CONFERENCE)
Read more: Session – TRANSPARENT FLESH: REIMAGINING THE MEDICAL IMAGE IN CONTEMPORARY ART(8-10 April, 2026 – ASSOCIATION FOR ART HISTORY 2026 ANNUAL CONFERENCE)This year, I am honored to organize a session entitled: Transparent Flesh: Reimagining the Medical Image in Contemporary Art at the ASSOCIATION FOR ART HISTORY 2026 ANNUAL CONFERENCE.
-
Coordination of Panel 5 – Affects and Transgressions of the Body in Contemporary Art (December 13, 14, and 15, 2023)
Read more: Coordination of Panel 5 – Affects and Transgressions of the Body in Contemporary Art (December 13, 14, and 15, 2023)On December 13, 14 and 15, 2023, I coordinated Panel 5 – Affects and Transgressions of the Body in Contemporary Art at the Politics and Narratives of the Body conference at Università degli Studi di Padova. This event explored bodily mutations in art, examining the links between performance, affects, queer identities, and posthumanism in contemporary artistic practices.
-
Dialogue Between Gendered and Degendered Bodies: A Reflection on Art and Identity (November 4, 2022)
Read more: Dialogue Between Gendered and Degendered Bodies: A Reflection on Art and Identity (November 4, 2022)On November 4, 2022, I chaired the session Dialogue Between Gendered and Degendered Bodies at the UAAC/AAUC Conference at the University of Toronto. This discussion explored representations of the body and gender identities in contemporary art, questioning the impact of technologies, performances, and posthumanist practices on the perception of trans, non-binary, and mutating bodies.
-
The Double of the Body: Between Art, Science, and Museums (October 17, 2020)
Read more: The Double of the Body: Between Art, Science, and Museums (October 17, 2020)On October 17, 2020, I co-chaired, alongside Mélanie Boucher, the session The Double of the Body: Between Art, Science, and Museums at the UAAC/AAUC Conference. This interdisciplinary discussion explored representations of the multiplied body through art, science, and museology, questioning the impact of digital technologies and museal practices on our perception of the body and its double.
-
Conference Organization: Making History – The Exhibition and Its Reconstitution (May 29, 2019)
Read more: Conference Organization: Making History – The Exhibition and Its Reconstitution (May 29, 2019)The conference Making History: The Exhibition and Its Reconstitution explored the impact of reconstructed exhibitions on knowledge production and artistic creation. As an organizational assistant, I contributed to the coordination and logistics of this interdisciplinary event, which bridged art history, museology, and curatorial practices.