Participating in conferences and contributing to their proceedings allows me to share my research with the academic community and engage in a broader dialogue. Conference proceedings compile presentations from academic events, providing a written record of the discussions and insights on specific topics.
Through these publications, I explore questions related to art history, aesthetic philosophy, and contemporary artistic practices, while contextualizing theoretical debates and developments in the field.
In this section, you will find a selection of my contributions to conference proceedings, organized by theme.
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“Le handicap fictionnel dans la science-fiction artistique” (March 2026)
Read more: “Le handicap fictionnel dans la science-fiction artistique” (March 2026)In March 2026, my article « Le handicap fictionnel dans la science-fiction artistique » was published by BoD in a volume edited by Clément Pélissier and Jérôme Goffette for the academic association Stella Incognita.
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Presentation: “L’handicap fictionnel dans la science-fiction artistique” (Fictional Disability in Artistic Science Fiction)
Read more: Presentation: “L’handicap fictionnel dans la science-fiction artistique” (Fictional Disability in Artistic Science Fiction)L’handicap fictionnel dans la science-fiction artistique, presentation for the Science-fiction et handicaps conference, Université Grenoble Alpes, organized by Stella Incognita. Scheduled from April 2 to April 4, 2025.
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The Body without Organs of Cindy Sherman: A Reinterpretation of Corporeality in Contemporary Art (December 2024)
Read more: The Body without Organs of Cindy Sherman: A Reinterpretation of Corporeality in Contemporary Art (December 2024)Cindy Sherman deconstructs representations of the body through unsettling photographic stagings. In my article “The Body without Organs of Cindy Sherman,” published in Políticas y narrativas del cuerpo 2 (Politics and Narratives of the Body 2), I explore how her work challenges identity, materiality, and bodily vulnerability in contemporary art.
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Geneviève Matthieu in Full Commitment: An Immersion in Contemporary Performance (December 2024)
Read more: Geneviève Matthieu in Full Commitment: An Immersion in Contemporary Performance (December 2024)The duo Geneviève Matthieu pushes the boundaries of performance by blending music, installation, and the staging of the body. In my article “Geneviève Matthieu in Full Commitment,” published in Si les choses étaient différentes, nous ferions autrement (If Things Were Different, We Would Do Otherwise), I explore their experimental approach and its impact on the Quebec art scene.
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Bodily Science Fiction in the Hyperrealistic Work of Patricia Piccinini (February 2024)
Read more: Bodily Science Fiction in the Hyperrealistic Work of Patricia Piccinini (February 2024)Patricia Piccinini’s hyperrealistic sculptures blur the boundaries between the living and the artificial. In my article “Bodily Science Fiction in the Hyperrealistic Work of Patricia Piccinini,” published in Imaginaires du corps, sensualités imaginées (Imaginaries of the Body, Imagined Sensualities), I explore how her work redefines sensuality and the perception of the body in the biotechnological era.
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Frankenstein or the Modern Photographer: Reflections on Creation and Image (November 2023)
Read more: Frankenstein or the Modern Photographer: Reflections on Creation and Image (November 2023)What if the myth of Frankenstein resonated within contemporary photography? In my article “Frankenstein or the Modern Photographer,” published in Frankenstein and His Creature, from Yesterday to Today, I explore the parallels between the figure of the scientist and that of the photographer. Both shape a new reality, navigating between image manipulation and the quest for identity.
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Exposing a Meat Dress: The Cases of Jana Sterbak and Lady Gaga (October 2023)
Read more: Exposing a Meat Dress: The Cases of Jana Sterbak and Lady Gaga (October 2023)Far from being just a piece of clothing, the meat dress challenges the boundaries between fashion, art, and performance. In my article “Exposing a Meat Dress: The Cases of Jana Sterbak and Lady Gaga,” published in Exposer l’exposition (Exposing the Exhibition), I explore how these works reinvigorate questions about the body, consumption, and reconstruction in contemporary art.
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For a New Being Inspired by the Past: Reflections on the Posthuman and Body Memory (February 2023)
Read more: For a New Being Inspired by the Past: Reflections on the Posthuman and Body Memory (February 2023)Posthumanism promises an augmented being, freed from biological limitations, but can it truly detach from the past? In my article “For a New Being Inspired by the Past,” published in Les récits du posthumain (Narratives of the Posthuman), I explore how posthuman narratives are rooted in historical continuity, invoking ancient myths and modern utopias to shape the imagination of the augmented body. A reflection on the evolution of humanity between…
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When Fashion Photography Dresses in Posthumanity: A Reflection on the Body and Visual Identity (December 2022)
Read more: When Fashion Photography Dresses in Posthumanity: A Reflection on the Body and Visual Identity (December 2022)Fashion photography no longer just showcases clothing; it also redefines the human body. In my article “When Fashion Photography Dresses in Posthumanity,” published in Polìticas y narrativas del cuerpo, I explore how contemporary fashion adopts the codes of posthumanism to present augmented, hybrid, and technological bodies. A reflection on the aesthetics of the future and new visual identities.
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From Fiction to Photographic Science Fiction: Between Imagination and Prosthetization of the Body (November 2019)
Read more: From Fiction to Photographic Science Fiction: Between Imagination and Prosthetization of the Body (November 2019)Science fiction has long explored the transformations of the human body through prostheses, whether medical, augmentative, or purely conceptual. “From Fiction to Prosthetic Science Fiction” focuses on how these technologies redefine our relationship with the world and ourselves. Between compensation and enhancement, these devices shape a new hybrid identity, a central subject in the science fiction imagination.