Exploring, questioning, and shedding light on the connections between art, the body, and society—this is the essence of my work as an exhibition curator. Through my curatorial projects, I strive to create spaces for dialogue between artworks and audiences, exploring themes related to body representation, the history of images, and contemporary artistic issues.
I have had the opportunity to lead and co-curate several exhibitions in collaboration with cultural and academic institutions, showcasing engaged artists and innovative approaches. Each project is an invitation to rethink our relationship with images and objects through carefully designed scenographic experiences that encourage reflection and immersion.
Discover my past and ongoing exhibitions here.
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Choisir et Fonder: A Reflection on Chosen and Founded Families [March 13 > April 13, 2024]
![Choisir et Fonder: A Reflection on Chosen and Founded Families [March 13 > April 13, 2024]](https://jessicaragazzini.com/wp-content/uploads/2025/03/434664724_1163615174645402_2680999239142767265_n.jpg)
Read more: Choisir et Fonder: A Reflection on Chosen and Founded Families [March 13 > April 13, 2024]In 2024, I co-curated Choisir et Fonder with Mona Greenbaum at Galerie UQO. Through JJ Levine’s portraits, the exhibition explores chosen and founded families, questioning emotional ties that transcend conventional boundaries.
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Création[tiret]recherche(Creation–Research): An Exploration of the Links Between Art and Critical Thought [September 7 > October 29, 2023]
![Création[tiret]recherche(Creation–Research): An Exploration of the Links Between Art and Critical Thought [September 7 > October 29, 2023]](https://jessicaragazzini.com/wp-content/uploads/2025/03/IMG_0264-scaled.jpg)
Read more: Création[tiret]recherche(Creation–Research): An Exploration of the Links Between Art and Critical Thought [September 7 > October 29, 2023]In 2023, I co-curated Création[tiret]recherche(Creation–Research) within the 2J2R collective, an exhibition exploring the connections between art and critical thought. Presented at ART-IMAGE and Espace ODYSSÉE in Gatineau, this exhibition-laboratory examined research as a creative process in its own right. Discover how art becomes a space of experimentation and reflection through my curatorial approach.
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XL – A Group Exhibition Celebrating 40 Years of Creation [June 7 > July 29, 2023]
![XL – A Group Exhibition Celebrating 40 Years of Creation [June 7 > July 29, 2023]](https://jessicaragazzini.com/wp-content/uploads/2025/03/348365342_6038357049607979_4601547298025035763_n.jpg)
Read more: XL – A Group Exhibition Celebrating 40 Years of Creation [June 7 > July 29, 2023]In 2023, I was an artist-curator for XL at Centre AXENÉO7, an exhibition celebrating 40 years of creation. By exploring space and scale, this project brought immersive and performative works into dialogue. Discover my curatorial approach and the impact of this event.
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Collaboration on the exhibition Steve Giasson as Others / Steve Giasson comme les autres [February 15 > April 3, 2022]
![Collaboration on the exhibition Steve Giasson as Others / Steve Giasson comme les autres [February 15 > April 3, 2022]](https://jessicaragazzini.com/wp-content/uploads/2025/03/Capture-decran-2024-12-21-a-07.18.16.png)
Read more: Collaboration on the exhibition Steve Giasson as Others / Steve Giasson comme les autres [February 15 > April 3, 2022]In 2022, I collaborated with the Carleton University Art Gallery to write the exhibition labels for Steve Giasson as Others—a reflection on identity and reinterpretation through conceptual art.
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The Meat Dress at the National Museum: An Exhibition Between Controversy and Memory [May 15 > July 22, 2019]
![The Meat Dress at the National Museum: An Exhibition Between Controversy and Memory [May 15 > July 22, 2019]](https://jessicaragazzini.com/wp-content/uploads/2025/03/MD_3870.jpg)
Read more: The Meat Dress at the National Museum: An Exhibition Between Controversy and Memory [May 15 > July 22, 2019]In 2019, I contributed to the exhibition The Meat Dress at the National Museum at Galerie UQO, alongside Mélanie Boucher and Marie-Hélène Leblanc. This project revisited the controversy surrounding Vanitas by Jana Sterbak, exploring its impact on contemporary art.