On November 18, 2021, I had the opportunity to contribute to the academic debate during the colloquium “L’ombre de Frankenstein ou le pouvoir d’une oeuvre” (The Shadow of Frankenstein or the Power of a Work), organized at the Université du Québec à Montréal by Jean-François Chassay, Elaine Després, and Anthony Morin-Hébert. My presentation, titled “Frankenstein or the Modern Photographer”, explored the parallels between the mythical creature of Frankenstein and contemporary photography practices.
Article’s thumbnail: Photo by Laura Chouette on Unsplash
Communication reference:
La photographie du robot, en marge de la représentation du corps, communication for the transhistoric interdisciplinary colloquium Aux marges de la représentation, représentations de la marge, organized by I’ACSHA-UQAM.
Exploration of Identity through the Lens of Frankenstein
In this communication, I addressed how the story of Frankenstein resonates with the current tensions in the art of photography, where technology allows the creation and manipulation of images that challenge our understanding of the real and the artificial. I discussed how modern photographers, like Frankenstein, assemble and shape realities that defy traditional notions of identity and humanity.
Reactions and Discussions
The session prompted fruitful interaction with participants, who were particularly interested in discussing the ethical and aesthetic implications of artistic creation in the digital era. The questions and exchanges enriched the discussion, highlighting the ongoing relevance of Frankenstein themes in the context of contemporary creation.
Personal and Academic Impact
Participating in this colloquium was an enriching experience that not only allowed me to disseminate my research but also to receive feedback that will influence my future work. It reinforced my commitment to an interdisciplinary approach to explore the intersections between classic literature and modern art.
This presentation at UQAM was a highlight of my academic journey, affirming the importance of literary and artistic critique in our understanding of contemporary technological and cultural challenges.