Unveiling Survival Through the Monstrous: My Presentation on David Nebreda (November 18, 2022)

On November 18, 2022, I had the opportunity to present my research at the international conference “Monster(s) on Screen(s). The Sequel”, a collaborative event between the Université du Québec à Montréal, Université de Lorraine, and Université de Reims. My presentation, titled “Le corps monstrueux de David Nebreda – une tentative photographique pour la survie” (“The Monstrous Body of David Nebreda – A Photographic Attempt at Survival”), explored the provocative and deeply personal work of Spanish photographer David Nebreda.

Article’s thumbnail: Photo by Rob Griffin on Unsplash

Presentation Reference:
Le corps monstrueux de David Nebreda – une tentative photographique pour la survie, presentation for the conference Monster(s) on Screen(s). The Sequel, organized by Dominguez Leiva Antonio, Juliette Fridli, Sébastien Hubier, and Lorene Tremerel,
Université du Québec à Montréal, Université de Lorraine, and Université de Reims

Context of Nebreda’s Work

In my presentation, I analyzed how Nebreda uses his own body as a canvas to express themes of pain, survival, and isolation. His raw and often disturbing self-portraits reveal an engagement with his body that defies conventional norms of beauty and representation, placing his work in a space often perceived as ‘monstrous’ by viewers.

Reception and Discussions

The session, organized by renowned scholars such as Dominguez Leiva Antonio, Juliette Fridli, Sébastien Hubier, and Lorene Tremerel, provided a rich and nuanced space for dialogue on the notion of monstrosity in contemporary art. The discussions that followed my presentation opened new perspectives on how art can be used as a tool for confrontation and healing.

Personal and Professional Impact

This experience not only deepened my passion for the study of marginal representations in art, but also broadened my understanding of the many interpretations of monstrosity in visual culture. It also allowed me to establish meaningful connections with other researchers interested in transgressive themes in art.

Participating in this conference confirmed the importance of pursuing research that challenges and expands our perspectives on what is often rejected or misunderstood in society. Nebreda’s work, though controversial, offers a powerful commentary on the human condition—one that deserves ongoing exploration.