Tag: art
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Review: Araki Nobuyoshi (Ciel Variable, 2026)
In 2026, I published a review of the exhibition POLARAKI, presented at the Musée Guimet. This exhibition provided an opportunity to revisit the work of the artist and photographer Nobuyoshi Araki and to engage once again with the rich complexity of his artistic practice.
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Article: The Oxymoron of the Body (Esse, 2026)
The journal Esse provided me with the opportunity to examine representations of endometriosis in contemporary art in its special issue dedicated to disability.
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Participation in Anouk Verviers’ Artwork THE WORLD WAS ALWAYS FULL OF US (2025)
In the summer of 2025, I had the opportunity to be invited by the artist Anouk Verviers to participate in her artwork THE WORLD WAS ALWAYS FULL OF US [Le monde a toujours été empreint de nous]. The description below is drawn from the artist’s official website.
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Presentation: Jouer avec l’histoire de l’art : Clair Obscur : Expedition 33 ou la réactivation ludique des imaginaires artistiques (March 23, 2026)
Over the past fifteen years, video games have established themselves as a major cultural medium, capable of generating complex narratives and elaborated aesthetic worlds.
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Book: Arts et Cyborgs. Pensées et imaginaires des corps-machines
Situated at the intersection of organism and cybernetics, cyborg figures evoke an artificial, hybrid identity that is perpetually oriented toward the future. While their representations sometimes participate in imaginaries of domination, they more often function as tools of emancipation, proposing new forms of political subjectivity.
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Article: Prothèses en tension: sémiotique du corps altéré chez Sophie de Oliveira Barata et Viktoria Modesta (Sémiolitté-2025)
This article explores the prosthesis not as a mere medical or functional device, but as an aesthetic, political, and semiotic sign of the altered body. Through the practices of Sophie de Oliveira Barata and Viktoria Modesta, it analyzes how the prosthesis becomes a vector of subjectivation, a tool for identity affirmation, and a disruption of ableist…
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Mentorship for the Bleu foncé Project by the Non-Profit Organization PenserDanser (November–December 2025)
In November and December 2025, PenserDanser entrusted me with designing and leading a mentorship program for Bleu foncé: a project aimed at thinking democracy through the body, questioning politics through gesture, and turning dance into a tool for deliberation, dissensus, and co-creation.
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Mentorship for the “Artémis” Project with the Nonprofit Organization PenserDanser (Summer 2025)
As part of Artémis, a creation developed by PenserDanser, I was invited to design and lead a mentorship program that places philosophy, the body, and myth at the heart of the artistic process. My involvement in this project aligned with a trajectory I have been pursuing for several years: creating spaces where thought becomes movement, where…
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Review: FRED RITCHIN. THE SYNTHETIC EYE: PHOTOGRAPHY TRANSFORMED IN THE AGE OF AI | THAMES & HUDSON (November 2025)
In The Synthetic Eye: Photography Transformed in the Age of AI, Fred Ritchin offers a profound reflection on the transformation of photography in the era of artificial intelligence. He examines the new forms of generated images as well as the epistemological, social, and ethical issues raised by this “synthetic vision.”
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Review: BATHERS BY RUTH KAPLAN | DAMIANI (November 2025)
In Bathers, Canadian photographer Ruth Kaplan explores public baths as a primordial stage where the human body appears in all its vulnerable splendor. By photographing spaces of shared nudity, she seeks to capture bodies freed from social artifices, suspended between modesty and revelation.