Category: Presentations
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Article: L’impact de la France médiévale de Disney dans l’imaginaire populaire (November 7, 2019)
On November 7, 2019, at the Université de Lorraine, I explored the impact of Disney’s representation of medieval France on popular imagination, demonstrating how animated narratives shape our understanding of history.
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Presentation: Helmut Newton, humour féministe ou machiste ? (October 27, 2019)
On October 27, 2019, at the Universities Art Association of Canada conference, I explored whether the humor in Helmut Newton’s work is feminist or macho. This analysis sparked a rich debate, revealing the complexity of the intersection between art, humor, and feminism.
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Presentation: Corps vivant et objet technologique, entre discours philosophiques et créations artistiques (May 30, 2019)
On May 30, 2019, during the Acfas Congress, I explored the interconnection between the body and technology in art, questioning our identity in the digital age. This presentation strengthened my passion for interdisciplinary research and highlighted the importance of academic dialogue.
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Presentation: After the Myth of Freedom: Photographing the Shadow Society Post-’68 (October 4, 2018)
On October 4, 2018, I gave a presentation on transgressive post-’68 photography at the Rebelles conference at the University of La Rochelle. Through the works of Molinier, Strömholm, Witkin, and Mapplethorpe, this talk explored the margins, rebellious bodies, and social protest, questioning the relationship between photography, identity, and censorship.
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Presentation: Photographic Science Fiction (April 4, 2018)
On April 4, 2018, I gave a presentation entitled La science-fiction photographique (Photographic Science Fiction) at the symposium Science-fiction, prothétisation, cyborgisation at Université Lyon I. This talk explored representations of the augmented and posthuman body in contemporary photography, questioning the connections between art, technology, and anticipation through cybernetic imaginaries and futuristic bodily mutations.
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Presentation: The Faces of a Hybrid Contemporary Beauty: From ID Photo to Facial Composite (October 19, 2017)
How do ID photos and facial composites redefine our perception of the face? In my presentation “The Faces of a Hybrid Contemporary Beauty”, given at the symposium Visages à contrainte, I explored the impact of digital technologies on facial representation—between standardization and aesthetic hybridization.



