Category: Publications and Presentations
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Article: The Influence of Literary Monsters on the Post-Human Body (December 2018)
My article “The Influence of Literary Monsters on the Post-Human Body,” published in MERIDIAN of CRITICISM, explores how the figure of the literary monster influences post-human art. From Frankenstein to cyborgs, these motifs are reappropriated by artists like ORLAN and Joel-Peter Witkin to question the transformations of the body.
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Presentation: After the Myth of Freedom: Photographing the Shadow Society Post-’68 (October 4, 2018)
On October 4, 2018, I gave a presentation on transgressive post-’68 photography at the Rebelles conference at the University of La Rochelle. Through the works of Molinier, Strömholm, Witkin, and Mapplethorpe, this talk explored the margins, rebellious bodies, and social protest, questioning the relationship between photography, identity, and censorship.
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Article: Max Aguilera-Hellweg: Photographing the Simulacrum of the Human Body (June 2018)
Why did Max Aguilera-Hellweg shift from photographing the human body to capturing that of robots? In my article “Max Aguilera-Hellweg, Photography from Surgery to Robotics,” published in Angles The Journal | Digital Subjectivities, I explore how his work probes the boundary between flesh and machine, questioning our perception of the body in the age of…
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Presentation: Photographic Science Fiction (April 4, 2018)
On April 4, 2018, I gave a presentation entitled La science-fiction photographique (Photographic Science Fiction) at the symposium Science-fiction, prothétisation, cyborgisation at Université Lyon I. This talk explored representations of the augmented and posthuman body in contemporary photography, questioning the connections between art, technology, and anticipation through cybernetic imaginaries and futuristic bodily mutations.
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Presentation: The Faces of a Hybrid Contemporary Beauty: From ID Photo to Facial Composite (October 19, 2017)
How do ID photos and facial composites redefine our perception of the face? In my presentation “The Faces of a Hybrid Contemporary Beauty”, given at the symposium Visages à contrainte, I explored the impact of digital technologies on facial representation—between standardization and aesthetic hybridization.


