Tag: conference
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Jouer avec l’histoire de l’art : Clair Obscur : Expedition 33 ou la réactivation ludique des imaginaires artistiques (23 March 2026)
Over the past fifteen years, video games have established themselves as a major cultural medium, capable of generating complex narratives and elaborated aesthetic worlds.
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Exploring the Boundaries Between Reality and Representation: My Experience at the Conference on the Objectification of Bodies (May 21–22, 2021)
On May 21–22, 2021, during the conference at the Université du Québec en Outaouais, I explored the relationship between visitors and wax figures in “Entre la cire et la chair” (“Between Wax and Flesh”), revealing how these museums reshape our perception of authenticity and imitation.
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Scientific Moderation: Mirror Session – Devenir l’œuvre Conference (May 2021)
At the Devenir l’œuvre conference, I moderated the session on the mirror, exploring its role in the perception and staging of the body in exhibitions. By fostering exchanges between researchers and artists, I contributed to a reflection on the representation and objectification of the body in museums and artistic spaces.
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Diving into the Universe of Patricia Piccinini: When Science Fiction Meets Photography (March 11, 2021)
On March 11, 2021, during the conference “Imaginaires du corps et sensualités imaginées” (“Imaginaries of the Body and Imagined Sensualities”), I explored the fusion of science fiction and realism in Patricia Piccinini’s work, questioning the boundaries between the natural and the artificial through her strangely human-like creatures.
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Medieval Enchantment the Disney Way: A Cultural Analysis (November 7, 2019)
On November 7, 2019, at the Université de Lorraine, I explored the impact of Disney’s representation of medieval France on popular imagination, demonstrating how animated narratives shape our understanding of history.
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Conference Organization: Making History – The Exhibition and Its Reconstitution (May 29, 2019)
The conference Making History: The Exhibition and Its Reconstitution explored the impact of reconstructed exhibitions on knowledge production and artistic creation. As an organizational assistant, I contributed to the coordination and logistics of this interdisciplinary event, which bridged art history, museology, and curatorial practices.