Promoting the Artistic History of Gatineau: An Unprecedented Project (2020)

In 2020, I had the opportunity to collaborate with the Arts visuels de Gatineau Association as a project manager and researcher. This initiative, supported by the City of Gatineau and the Ministry of Culture and Communications of Quebec, was part of the 2018-2024 Cultural Development Agreement. The goal? To document and highlight the artists who have shaped the artistic history of Gatineau from 1955 to the present day.

Article thumbnail: Photo by Sixteen Miles Out on Unsplash

Book title:

Portrait d’artistes de Gatineau de 1955 à nos jours, Gatineau: Library and Archives Canada/Library and Archives Nationales du Québec/Gatineau Visual Arts, ISBN 978-2-9819336-0-7

A Pioneering Project for Local Artistic History

Until then, no in-depth study had been conducted on Gatineau’s artistic scene. This ambitious project made it possible to identify and analyze the careers of major artists from the region, taking into account the diversity of practices: painting, sculpture, crafts, and many other forms of expression. My role was to conduct in-depth research, collect testimonies, and gather a rich body of documentation, including archives and critical analyses.


A Publication to Transmit Cultural Memory

One of the major outcomes of this work was the publication of a collection retracing the paths of the selected artists. This book, designed as a reference for art enthusiasts and professionals, offers a unique perspective on the evolution of local artistic practices. Through both historical and analytical approaches, it highlights distinctive trajectories and significant works.


Impact and Perspectives

This project not only enriched the understanding of Gatineau’s artistic history but also helped raise awareness among a wide audience about the importance of local cultural heritage. It also paves the way for new research and initiatives aimed at recognizing the artists of Outaouais.

As a researcher and passionate art historian, this experience reinforced my belief that documenting and promoting regional artists is essential for preserving and passing on a living cultural heritage.