Tag: photography
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Review: FRED RITCHIN. THE SYNTHETIC EYE: PHOTOGRAPHY TRANSFORMED IN THE AGE OF AI | THAMES & HUDSON (November 2025)
In The Synthetic Eye: Photography Transformed in the Age of AI, Fred Ritchin offers a profound reflection on the transformation of photography in the era of artificial intelligence. He examines the new forms of generated images as well as the epistemological, social, and ethical issues raised by this “synthetic vision.”
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REVIEW: BATHERS BY RUTH KAPLAN | DAMIANI (November 2025)
In Bathers, Canadian photographer Ruth Kaplan explores public baths as a primordial stage where the human body appears in all its vulnerable splendor. By photographing spaces of shared nudity, she seeks to capture bodies freed from social artifices, suspended between modesty and revelation.
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Review: Japan Art Revolution, From Angura To Provoke | Amélie Ravalec (November 2025)
Amélie Ravalec’s Japan Art Revolution. From Angura to Provoke revisits one of the most incendiary moments in Japanese visual history, born from the ruins of a nation scarred by war and occupation. The author shows how, in the 1960s and 1970s, photography, theatre and politics intertwined to become the vectors of a shared revolt.
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Review : EDWARD WESTON: BECOMING MODERN | MEP (October 2025)
The exhibition “Edward Weston — Modernity Revealed,” presented at the Maison Européenne de la Photographie, traced the emergence of photographic modernity through more than one hundred vintage prints from the Wilson Centre for Photography.
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Communication : Photographier la recherche : enquête sensible sur les gestes du savoir (November 18, 2025)
I will have the pleasure of traveling to Nantes for the study days Faire•Dire : écritures alternatives de la recherche – Dire 2025 : Quel(s) acte(s) pour la parole de la recherche ?, where I will present on November 18 a conference entitled « Photographier la recherche : enquête sensible sur les gestes du savoir ».
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Communication : Le Japon dans les arts et la littérature. Autour de la photographie de Michael Kenna (November 14, 2025)
On November 14, 2025, I gave a lecture that was particularly close to my heart, “Erotisme, deuil et excès : représenter le Japon autrement dans l’œuvre photographique de Nobuyoshi Araki,” at Lycée Champollion in Grenoble, France.
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Exhibition review : Antoine D’Agata, la Méthode, Centre Pompidou (2024-2025)
In the Méthode exhibition-residency at the Centre Pompidou (September 23, 2024 – January 1, 2025), Antoine d’Agata transformed a museum gallery into an open studio, presenting thirty years of archives, personal objects, and visual narratives.
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Between Seeing and Being: The Dichotomy of the Body in Medical and Artistic Imagery in the Phenomenological Experience (2024-2026)
How do medical and artistic images transform our perception of the body? This postdoctoral research explores the dichotomy between the living body and its technical representation. By intersecting art and medicine, it examines how medical imaging, purportedly objective, and artistic imagery, laden with emotions, shape our bodily experience in the 21st century.
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The Body without Organs of Cindy Sherman: A Reinterpretation of Corporeality in Contemporary Art (December 2024)
Cindy Sherman deconstructs representations of the body through unsettling photographic stagings. In my article “The Body without Organs of Cindy Sherman,” published in Políticas y narrativas del cuerpo 2 (Politics and Narratives of the Body 2), I explore how her work challenges identity, materiality, and bodily vulnerability in contemporary art.
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Thesis: The Survival of the Living in Photography. The Photographic Confusion Between the Body and the Object of the Mannequin to Robotics (2017 – 2023)
Can photography capture the boundary between the living and the inert? Through my thesis, The Survival of the Living in Photography, I explore the confusion between the body and the object, from the mannequin to robotics. By analyzing the works of Helmut Newton, Cindy Sherman, and Nick Knight, this research examines how photography shapes our…