Tag: Art History
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Presentation: Jouer avec l’histoire de l’art : Clair Obscur : Expedition 33 ou la réactivation ludique des imaginaires artistiques (March 23, 2026)
Over the past fifteen years, video games have established themselves as a major cultural medium, capable of generating complex narratives and elaborated aesthetic worlds.
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Book: Arts et Cyborgs. Pensées et imaginaires des corps-machines
Situated at the intersection of organism and cybernetics, cyborg figures evoke an artificial, hybrid identity that is perpetually oriented toward the future. While their representations sometimes participate in imaginaries of domination, they more often function as tools of emancipation, proposing new forms of political subjectivity.
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Session 4 – AFFECTIONS AND TRANSGRESSIONS OF THE BODY IN CONTEMPORARY ART(14-16 April, 2026 – International Colloquium Politics and Narratives of the Body)
This year again, I am honored to organize a session entitled: Session 4 – AFFECTIONS AND TRANSGRESSIONS OF THE BODY IN CONTEMPORARY ART at the International Colloquium Politics and Narratives of the Body (14-16 April, 2026).
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Session – TRANSPARENT FLESH: REIMAGINING THE MEDICAL IMAGE IN CONTEMPORARY ART(8-10 April, 2026 – ASSOCIATION FOR ART HISTORY 2026 ANNUAL CONFERENCE)
This year, I am honored to organize a session entitled: Transparent Flesh: Reimagining the Medical Image in Contemporary Art at the ASSOCIATION FOR ART HISTORY 2026 ANNUAL CONFERENCE.
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Book : ‘Portrait d’artistes de Gatineau de 1955 à nos jours’ (2020)
In 2020, I collaborated with Gatineau Visual Arts to document the local artistic history. Supported by the City of Gatineau and the Ministry of Culture, this project culminated in an unprecedented collection highlighting key artists since 1955. An essential initiative to preserve and transmit the region’s cultural heritage.
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Conference Organization: Making History – The Exhibition and Its Reconstitution (May 29, 2019)
The conference Making History: The Exhibition and Its Reconstitution explored the impact of reconstructed exhibitions on knowledge production and artistic creation. As an organizational assistant, I contributed to the coordination and logistics of this interdisciplinary event, which bridged art history, museology, and curatorial practices.
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Instructor under Clause 9.02 (2019)
In 2019, I taught Exhibition: Theory and Practice at UQO under Clause 9.02. This experience allowed me to combine theory and practice to introduce students to curatorial issues and artistic mediation.